When the stage lights go up at Chicago's Goodman Theatre on Monday evening, more than 20 high school students will each have a moment to step into the spotlight and perform a monologue from one of the plays written by the late August Wilson. Chicago's contest is one of several regional finals that strives to introduce students to the Pulitzer Prize winner's work. It's also a lead-up to the national August Wilson Monologue Competition that will be held on Broadway later this spring.
You'd think that in telling a story whose novelty is in its veracity, retaining some semblance of that truth might be important. But wrestling history into narrative has its challenges, and things can get hazy when it comes to the facts in a historical drama. So it seems like the next logical step in telling a story with a relationship to truth might be that if you're going to fudge things, at least make it entertaining. Please, pull an Argo.
Cookbook author Diane Morgan first got to thinking about root vegetables after two encounters at her local farmers market in Portland, Ore. She was burdened down with celery root, Morgan says, when a woman stopped her to ask what she was holding and what she planned to do with it.
"It's amazing," Morgan replied. "You can eat it raw, you can eat it cooked, you can turn it into a fabulous soup."
The opening shot of Cristian Mungiu's Beyond the Hills may look somewhat familiar. As in the Romanian writer-director's previous film, 4 Months, 3 Weeks and 2 Days, a young woman strides purposefully while a handheld camera follows mere inches behind. She's on a mission to help a close friend, her resolve demonstrated by the way she marches against two lines of travelers who've just disembarked from a train.
Some bands are born of passion and deep camaraderie, a collective desire to rebel against authority — or at least to look cool. Others are born because a major label threatens to drop them if they don't find a lead vocalist.