[Note: Before Midnight is an especially difficult movie to write about, simply because for some people, even what has become of Jesse and Celine since Before Sunset is information that they don't want. But it's impossible — absolutely impossible — to write about the movie without talking about where they stand and what the premise is. I did my absolute best to spoil as little beyond that as possible.
Khaled Hosseini's And the Mountains Echoed begins with a fable that a father tells his two children: A farmer who works hard to eke out a living for his family is forced to give up one of his five children to an evil giant. He and his wife decide to choose randomly, and the unlucky one happens to be their favorite son. Eventually, the farmer, half mad with grief, tracks down the giant and finds his son in a lush garden full of happy children, with no memory of his birth family.
It's true enough that there's plenty wrong withGatsby Le Magnifique, as the French are calling the latest from director Baz Luhrmann. But what better film could there have been to open the sensory onslaught that is the Cannes Film Festival than one orchestrated by that patron saint of overstimulation?
After years of trying to conceive, novelist Jennifer Gilmore and her husband decided to pursue a domestic open adoption. They were told they'd be matched within a year; it took four. And along the way they faced complicated decisions and heartbreak.