Last year, my husband picked up a nasty little habit — a drinking problem, if you will. Yes, he became addicted to sparkling water. All of a sudden, he was adding mineral water to my weekly grocery list and buying precious little green bottles imported from Italy every time we grabbed a sandwich.
You may not know the name Marie Duplessis, but odds are you know some stories about her. She inspired a French novel, which was turned into a successful play, several movies (including one starring Greta Garbo), a ballet and, most famously, a great Italian opera — La Traviata.
As soon as I hear that a novel is set in a college or a university, I'm in. David Lodge, Richard Russo, Donna Tartt, Chad Harbach — they've all created campuses with an intimate, sometimes cozy feeling that offers an escape from a world that can seem terribly open-gated and impersonal. Like an Agatha Christie novel, you know right away who the characters are and where the drama will play out.
The fourth collaboration between actor Steve Coogan and director Michael Winterbottom is much like their first: Both The Look of Love and 2002's 24 Hour Party People are antic, self-conscious film bios about impresarios on the fringes of showbiz — soft porn and punk rock, respectively. But somehow the new movie, though it doesn't skimp on the nudity, the cocaine or the Britpop, is the blander of the two.
It's been a while since I've heard a distinctive new American voice in mystery fiction: That Girl With the Dragon Tattoo dame seems to have put our homegrown hard-boiled detectives in the deep freeze. The mystery news of the past few years has chiefly come out of the Land of the Midnight Sun, dominated by the late Stieg Larsson and fellow Swedes Camilla Lackberg and Hakan Nesser, as well as Norwegians Anne Holt, Karin Fossum and Jo Nesbo.