Fresh Air

Monday- Friday 2:00- 3:00pm
  • Hosted by Terry Gross

Fresh Air with Terry Gross, the Peabody Award-winning weekday magazine of contemporary arts and issues, is one of public radio's most popular programs. Each week, nearly 4.5 million people listen to the show's intimate conversations broadcast on more than 450 NPR stations across the country, as well as in Europe on the World Radio Network.

Though Fresh Air has been categorized as a "talk show," it hardly fits the mold. Its 1994 Peabody Award citation credits Fresh Air with "probing questions, revelatory interviews and unusual insights." And a variety of top publications count Gross among the country's leading interviewers. The show gives interviews as much time as needed, and complements them with comments from well-known critics and commentators.

Fresh Air is produced at WHYY-FM in Philadelphia and broadcast nationally by NPR.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Much of Brad Bird's Disney sci-fi adventure Tomorrowland is terrific fun, but it's one of the strangest family movies I've seen: Bird's not just making a case for hope, he's making a furious, near-hysterical case against anti-hope.

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Rob Burnett started working with David Letterman as an intern in 1985 and never left, even when the talk-show host moved from NBC to CBS. During the course of his 29-year tenure, Burnett evolved from intern to head writer to executive producer of the Late Show with David Letterman, a position he held through last night's final show.

Earlier this month, almost 2,000 radio fanatics gathered at the Brooklyn Academy of Music (BAM) to listen in as Marc Maron, the neurotic and sometimes gruff comedian and podcast host, interviewed Fresh Air's Terry Gross. He is known for being vulnerable and bringing his personal life into his interviews; she tends to keep her personal life separate from her work. The conversation that resulted blurs those two styles and ends up revealing aspects of Gross' life that even the biggest Fresh Air fans may find surprising.

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From the self-checkout aisle of the grocery store to the sports section of the newspaper, robots and computer software are increasingly taking the place of humans in the workforce. Silicon Valley executive Martin Ford says that robots, once thought of as a threat to only manufacturing jobs, are poised to replace humans as teachers, journalists, lawyers and others in the service sector.

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"Drones aren't going anywhere. In fact, they're going everywhere." These are the words of an Air Force commander played by Bruce Greenwood, and they sum up both the relevance and the heavy-handedness of Good Kill. The film, written and directed by Andrew Niccol, unfolds in a present-day reality where state-of-the-art drone technology has made killing one's enemies as easy as pushing a button. Ethan Hawke plays Major Thomas Egan, an ace U.S. Air Force pilot who served six tours of duty overseas.

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