Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
5:42 pm
Thu September 26, 2013

Music Doc Packs 'Muscle' (Plus A Whole Lotta Soul)

Roger Hawkins, a member of the Muscle Shoals Rhythm Section (also known as the Swampers), is just one among the many musicians captured in this documentary about the famous town.
Magnolia Pictures

Originally published on Fri September 27, 2013 9:32 am

Most fans of '60s soul know of Muscle Shoals, the tiny Alabama town that produced huge hits. But only the genre's most studious followers will be able to watch Muscle Shoals without being regularly astonished: Even if it sometimes gets lost in its byways, Greg "Freddy" Camalier's documentary tells an extraordinary story.

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Movie Reviews
4:03 pm
Thu September 26, 2013

For Richer And For Poorer, But What Of That Vanishing Middle?

Former U.S. Labor Secretary Robert Reich, now a professor at the University of California-Berkeley, takes a look at growing income disparity in Inequality for All.
Radius/TWC

The U.S. financial sector's 2007-2008 swoon hurt a lot of people, but it's been a bonanza for documentary filmmakers with an interest in economics. The last five years have seen dozens of movies about the dismal science, most of them pegged to the Great Recession.

The latest is Inequality for All, a showcase for former U.S. Labor Secretary Robert Reich. (He served under Bill Clinton, who borrowed much of his fellow Rhodes scholar's rhetoric, if fewer of his prescriptions.)

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Movie Reviews
4:03 pm
Thu September 19, 2013

From Lebanon To Israel, With An Olive Tree In Tow

Zaytoun follows Yoni (Stephen Dorff), an Israeli fighter pilot, and Fahed (Abdallah El Akal), a young Palestinian boy, as they travel together and form an unlikely bond.
Eitan Riklis Strand Releasing

Originally published on Sun September 22, 2013 7:27 am

Israeli director Eran Riklis often depicts characters separated by borders. In The Syrian Bride, a Druze woman leaves Israel to marry, knowing she can never return to visit her family; in Lemon Tree, a privileged Israeli woman and a disadvantaged Palestinian regard one another warily from opposite sides of the fence between free and occupied territory.

Zaytoun is different: This time, the director allows his characters to cross the frontier. That makes for a story that's sweeter, but also less convincing.

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Movie Reviews
4:03 pm
Thu September 12, 2013

From A Saudi Director, A Familiar Story Made Fresh Again

All Wadjda (Waad Mohammed) wants is her own bicycle — but as Haifaa Al Mansour's film illustrates, that's a tricky proposition for a young girl living in Saudi Arabia.
Tobias Kownatzki Razor Film/Sony Pictures Classics

Wadjda is the sort of lovable young hustler we've seen in scores of films — a 10-year-old who wants something and will lie, threaten and cajole to get it.

But Wadjda's familiar premise is transformed by its unexpected location: The movie's protagonist lives in Saudi Arabia, and what she wants, even if she doesn't exactly realize it, is freedom.

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Movie Reviews
4:09 pm
Thu September 5, 2013

Qwerty Can Be Flirty, If We're In '50s France

Ses Doigts, Sont Adroits: Deborah Francois proves adept with the titular typewriter in Populaire.
Jair Sfez The Weinstein Co.

Devotees of '50s Hollywood comedies could have a great time at Populaire, an intentionally lightweight ode to romance and, uh, typing. But the way to enjoy this French souffle is to concentrate on the scrupulously retro music, costumes and set design, not on the musty fairy-tale script.

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