Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:04 pm
Thu February 7, 2013

Warning: 'Side Effects' May Include Eye-Rolling

In Steven Soderbergh's medical thriller Side Effects, Emily (Rooney Mara) goes through an emotional crisis — and then a psychopharmacological one — after her husband Martin (Channing Tatum) is released from prison.
Eric Liebowitz Open Road Films

It's the drug's fault, man. That's the defense offered by the perpetrator brought to trial in Side Effects, a stylish, vaguely Hitchcockian dud. But what excuse does this fatally silly movie have?

The film, reportedly the final big-screen effort for prolific director Steven Soderbergh, begins in a New York apartment where something bad has happened. Blood on the floor, smeared and tracked by footprints, suggests murder, suicide or extreme clumsiness.

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Movie Reviews
4:03 pm
Thu January 31, 2013

'Bullet To The Head': No-Brainer Bubblegum

Sung Kang plays a D.C. cop at large in New Orleans, where he finds himself in an uneasy alliance with hit man Sylvester Stallone in the blues-rock driven crime drama Bullet to the Head.
Frank Masi Warner Bros. Pictures

Adapted from a French graphic novel and outfitted with an ethnically diverse cast, Bullet to the Head is an artifact of a newly internationalized Hollywood. But that doesn't mean it feels especially new.

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Movie Reviews
4:03 pm
Tue January 22, 2013

A Poignant Voyage On 'The Pirogue'

More than 30 men set out to sea in the titular boat of The Pirogue. With that many actors and only an hour of time, not every character gets fleshed out — but the director's eye for singular faces helps.
ArtMattan Productions

The journey from Senegal and poverty to Europe and supposed prosperity takes seven days by fishing boat. The Pirogue spends only about an hour on open water, but that's enough to convey the risks that make the trip foolish, and the desperation that makes it inevitable.

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Movie Reviews
4:03 pm
Thu January 17, 2013

'Broken City,' Broken Movie: An Undernourished Noir

In a corrupt New York, private detective Billy Taggart (Mark Wahlberg) tries to straighten out the city as he straightens out his own life.
Barry Wetcher Twentieth Century Fox

As an investigation into American municipal corruption, Broken City is, well, damaged. But as an opportunity for hard-boiled types to trade threats, blows and caustic banter, this modern-day noir works reasonably well.

The story begins in a New York housing project, where scruffy undercover cop Billy Taggart (Mark Wahlberg) has just dispatched a felon. The victim had it coming, it seems, but that doesn't mean the shooting is strictly legit.

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Movie Reviews
4:03 pm
Thu January 17, 2013

'Hors Satan': A Singularly Devilish Vision

In Bruno Dumont's Hors Satan, the unnamed Guy (David Dewaele) turns to nature for solace and spiritual comfort.
New Yorker Films

Bruno Dumont just wasn't made for these cinematic times. Rather than cajole and flatter his viewers, the French filmmaker intentionally alienates and mystifies them. Like his five previous movies, the new Hors Satan is stark, strange and uncompromisingly personal. It's also vivid and unforgettable.

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