Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

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Movie Reviews
4:03 pm
Thu April 25, 2013

In 'Paradise,' Pursuing Something Less Than Love

Teresa (Margarethe Tiesel) travels to a beach resort in Kenya for vacation, where she dabbles in sex tourism with a series of local men.
Strand Relesasing

The opening sequence of Paradise: Love doesn't really have anything to do with what follows, but it does establish director Ulrich Seidl's unflinching eye. At a pavilion somewhere in Austria, a group of cognitively challenged children, many apparently with Down syndrome, ride bumper cars under the supervision of Teresa (Margarethe Tiesel). There's no hint of sentimentality, no attempt at reassurance.

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Movie Reviews
4:03 pm
Thu April 18, 2013

Building A Home For A Client Who Can't Live In It

Artist Jackie Sumell set out to build a dream home for bank robber Herman Wallace, whose additional conviction for killing a prison guard is the subject of a long-running dispute.
First Run Features

The off-screen protagonist of Herman's House, Herman Wallace, already has a dwelling for his body: a 6-foot-by-8-foot cell at the Louisiana State Penitentiary, aka Angola. But the documentary's on-screen protagonist, Jackie Sumell, wants him also to have a place for his soul: a dream house for a man who desperately needs dreams.

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Movie Reviews
4:03 pm
Thu April 11, 2013

A Hazy Ode 'To The Wonder' Of Hidden Worlds

Jane (Rachel McAdams) rekindles an old affair with the taciturn Neil (Ben Affleck), an environmental investigator whose work takes him to a remote Oklahoma town in the enigmatic new film To the Wonder.
Mary Cybulski Magnolia Pictures

Pretty but inert, To the Wonder is a vaporous mystery wrapped in a gauzy enigma — a cinematic riddle that'll appeal principally to those eager for another piece, however tiny, of the puzzle that is Terrence Malick.

To the Wonder continues in the lyrical-to-a-fault mode of the writer-director's The Tree of Life; in fact, this film includes some footage originally shot for that one. But it excludes Rachel Weisz, Amanda Peet, Barry Pepper, Jessica Chastain and Michael Sheen, who all reportedly played roles that vanished from the final cut.

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Movie Reviews
4:03 pm
Thu April 4, 2013

Robert Redford Keeps Revolutionary'Company'

Jim (Robert Redford) must flee with his daughter, Isabel (Jackie Evancho), to the scene of a past crime in order to avoid a probing amateur reporter.
Doane Gregory Sony Pictures Classics

Crisp in execution and classic in ambiance, The Company You Keep is star Robert Redford's most persuasive directorial work since 1994's Quiz Show. It's a pleasure to watch, even if the payoff is rather less substantial than the backstory.

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Movie Reviews
4:03 pm
Thu March 28, 2013

'The Place Beyond The Pines': It's A Far Piece

Angsty stunt performer Luke (Ryan Gosling) quits the circus and becomes a busybody father after a former girlfriend reveals she's had his child.
Focus Features

There are moments, as Derek Cianfrance's Blue Valentine informed us, when the barely controlled rage that is masculinity can be tempered by feelings for woman and child. But eventually the male Id will erupt, and everything will go to hell.

That happens more than once in Cianfrance's new The Place Beyond the Pines, a would-be epic that shifts from character to character and story to story to show how fury passes from fathers to sons. But too much of this seething drama is devoted not to characterization but to posturing.

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