Lloyd Schwartz

Lloyd Schwartz is the classical music critic for NPR's Fresh Air with Terry Gross.

In addition to his role on Fresh Air, Schwartz is the classical music editor of The Boston Phoenix. He is the co-editor of the Library of the America's Elizabeth Bishop: Poems, Prose, and Letters. He is also the author of three volumes of poems: These People, Goodnight, Gracie and Cairo Traffic. He's the editor of the centennial edition of Elizabeth Bishop's Prose, published by Farrar, Straus, and Giroux in 2011.

In 1994, Schwartz won the Pulitzer Prize for criticism. He is the Frederick S. Troy Professor of English at the University of Massachusetts, Boston.

Pages

Theater
2:57 pm
Thu June 5, 2014

1936 'Show Boat': A Multiracial, Musical Melodrama, Now Out On DVD

Allan Jones plays debonair leading man Gaylord Ravenal and Irene Dunne is the enchanting Magnolia in the 1936 film version of Show Boat, which has just been released on DVD.
Courtesy of Warner Bros. Digital Distribution

Originally published on Fri June 6, 2014 8:32 am

Broadway had never seen anything like it when Show Boat arrived at the Ziegfeld Theatre in 1927. The score was unforgettable and the story tackled complex racial issues. There have been three movie versions, but the best one — James Whale's 1936 production — has only just been released on DVD.

Show Boat was the first great serious Broadway musical. Jerome Kern and Oscar Hammerstein II, who wrote the songs, and Florenz Ziegfeld Jr., who produced it, departed from typical musical comedy material, with its chorus lines and songs showcasing star performers.

Read more
Fine Art
1:18 pm
Thu May 29, 2014

'Degenerate' Exhibit Recalls Nazi War On Modern Art

The Neue Galerie exhibit's empty frames represent paintings that were lost or destroyed by the Nazis. They appear beside works that survived Nazi rule, like George Grosz's Portrait of the Writer Max Hermann-Neisse (lower right).
Courtesy of Hulya Kolabas for Neue Galerie New York

Originally published on Mon June 2, 2014 1:28 pm

One of the most unsettling rooms in an important art exhibit at New York's Neue Galerie is a room in which numerous empty frames are hanging, with guesses about which paintings might have been in them. The paintings themselves were all lost or destroyed by the Nazis. Encouraged by Hitler, most Nazis (Joseph Goebbels was the rare exception) considered everything but the most hidebound, traditionally realistic paintings and sculptures to be "degenerate," a threat to the Aryan ideals of German culture.

Read more
Fine Art
1:56 pm
Thu December 5, 2013

'Pearl Earring' Is The Crown Jewel Of The Frick's Dutch Exhibit

Johannes Vermeer's Girl with a Pearl Earring is one of 15 17th century Dutch paintings on view at New York's Frick Collection through early 2014.
AFP Getty Images

Originally published on Thu December 5, 2013 6:48 pm

Some years ago, I wrote a poem called "Why I Love Vermeer," which ends "I've never lived in a city without a Vermeer." I could say that until 1990, when Vermeer's exquisite painting The Concert was one of the masterpieces stolen from Boston's Isabella Stewart Gardner Museum. It's still missing.

Read more
Movie Reviews
3:41 pm
Mon July 1, 2013

Branagh Imagines Mozart's 'Magic Flute' In Wartime

Pamina (Amy Carson) and Tamino (Joseph Kaiser) in Kenneth Branagh's production of Mozart's The Magic Flute.
Revolver Group

Mozart's The Magic Flute, the last opera he lived to complete, has some of his most sublime and sublimely comic music. Technically, it's more of a musical comedy, what in German is called a Singspiel, a play with songs and spoken dialogue. I was excited to learn that it was filmed by Kenneth Branagh, whose Shakespeare movies I really admire. Mozart's mixture of fairy tale and high morality presents a great opportunity for a filmmaker; in 1975, Ingmar Bergman released a version for Swedish television that has become a beloved classic.

Read more
Fine Art
11:40 am
Wed June 19, 2013

The Art Of Life: Claes Oldenburg At MOMA

Oldenburg's fascination with simple, everyday objects often led him to food as a subject, as with Pastry Case, I, 1961-62.
Claes Oldenburg Museum of Modern Art

Originally published on Wed June 19, 2013 3:05 pm

The sculptor Claes Oldenburg was born in Stockholm but grew up in Chicago, went to Yale and came to New York in 1956, where he became a key player in the pop art movement — the major counter-reaction to the abstract expressionism that dominated the 1950s. So much for art history.

Although Oldenburg is a serious artist, probably no artist in history ever created works that were more fun. In a new show at the Museum of Modern Art — really two shows — practically everyone, including myself, was walking through the galleries with a huge grin.

Read more

Pages