Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to MSNBC.com, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

"Woman gives birth to a gourd."

When we get to talking about HBO and Sling, about cord-cutting and the future of television, we tend to focus on the advantages of being able to pick out only the core channels you watch most; the ones you know you love. Now and then, though, I'm glad for the vast array of channels that are trying different things with different people, serving audiences smaller than the ones for football and Cutthroat Kitchen.

In something of a companion piece to our earlier segment on nerd culture, Stephen and Glen sit down in this edition to chat about the social dynamics at work and at play on TBS's surprisingly charming competition show King Of The Nerds. Glen carefully distinguishes it from its predecessor Beauty And The Geek, then wonders whether when nerds act like reality show contestants, they're using the tactics of the enemy.

Ever since we interviewed the Monopoly iron in 2013, we have occasionally published fever-dream interviews with newsworthy inanimate objects. In light of yesterday's Apple announcement of its smart watch — and in light of the fact that it is neither the first nor the last such watch to be developed — we thought we would check in with a regular, ordinary watch.

On this week's show, we sit down with our good pal Gene Demby for a wide-ranging chat about movies and music.

American Crime opens as a bedraggled, initially almost unrecognizable Timothy Hutton takes the worst possible middle-of-the-night phone call: The police need him to identify the body of what they believe is his murdered son.

My reaction to the initial revelation that Mindy Lahiri, the heroine (?) of Mindy Kaling's The Mindy Project, was pregnant was the same one I think a lot of people had: Oh, brother.

This was the case for two reasons. First, baby stories are notoriously difficult to make interesting, and adding babies to comedies often leads to awkwardness, as people who didn't set out to write stories about babies often like writing about birth and do not like writing about parenting, so after a while, it's like the baby never happened.

Focus, starring Will Smith as a smoothie con man with a heart of gold, is trying very hard to be a kind of film that only works when it seems effortless. Specifically, it seems to be engineered to be a close relative of Steven Soderbergh's 2001 Ocean's Eleven, in which beautiful people participate in tricky schemes dressed in cool clothes in gorgeous surroundings, surprising even the audience with their cleverness.

When Downton Abbey, which wrapped up its fifth-season run on PBS Sunday night, is fun, it's so much fun. And when it's not good, it's usually talking about Mr. Bates and Anna and somebody getting murdered.

Petra Mayer of NPR Books sat down with our regular panelist Glen Weldon to chat about the massive graphic novel The Sculptor, by Scott McCloud. They talk about what the book does and what they wanted from it, and from there, they go on to recommend some other good reads.

Well, now that we're past the Oscars (whew!), this week's show takes us into some quality television, both departing and arriving. It also brings to the table our pal Barrie Hardymon to join me, Stephen Thompson and Glen Weldon for this smaller-screen chat.

After seven seasons, NBC's gently acerbic, lovingly rendered Parks and Recreation ended its run Tuesday night with an extension of the final season's voyage to 2017. In further flashes to a few years or even decades later, we learned about April and Andy's kids, Garry's future as a beloved eternal mayor with an ageless wife, Tom's many hustles to come, Donna's educational foundation, the park Ron will run, Leslie's brilliant career and the true partnership of equals that is her marriage to Ben.

The rain that fell on Hollywood as the hours of red-carpet coverage wore on may have provided one of the evening's best visuals: actual people running around wearing plastic bags as they guided famous people out of limos, under umbrellas and to the waiting microphones of interviewers who wanted to know who made the dress, the shoes, the jewelry. It was literally the packing up and encasing of humanity to keep reality out: What could be more Oscars than that?

The nominees are in, the arguments have been had, and the ceremony is all that's left of Oscar season. (Well, and the griping over what should have won.)

We didn't get to tape our Oscars Omnibus live the way we planned (stay tuned for a make-up date for ticketholders), but we did get to sit down with our friend Bob Mondello to talk about all eight contenders in the Best Picture race.

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