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Glen Weldon

Near the midpoint of director Dome Karukoski's Tom of Finland, artist Touko Laaksonen (Pekka Strang) sits on a bench, catching up with the man who was once his superior officer when they served in the Finnish army during World War II, years before.

"We've started a motorcycle club," he says. Pauses."Without the motorcycles."

"Regaining sanity in a mental hospital is like treating a migraine at a rave."

It's a good line, and one that has the added benefit of being true. Zack McDermott should know; he's been through a few stints at mental institutions as a consequence of his bipolar disorder, which he chronicles, with an affable and often rueful wit, in Gorilla and the Bird: A Memoir of Madness and a Mother's Love.

Writer Jaime Lowe also lives with bipolar disorder; she shares her story — and a great deal more — in Mental: Lithium, Love and Losing My Mind.

After Friday night's two-hour premiere of Marvel's Inhumans on ABC, you can forgive us Marvel nerds for feeling a bit flinchy. That show's a great big slab of cheese — some of the runniest and stinkiest around — so if some of us approach the premiere of FOX's mutant-themed series The Gifted by adopting a kind of collective defensive crouch, understand that it's warranted.

Nerds of the world, I'm here to tell you: You can unclench.

Is the familiar, dutiful, and wholly generic setup of FOX's buddy-paranormal-investigator sitcom Ghosted a bug, or a feature?

That's the question: Is it lazily leaning on the stock narrative framework of a show like The X-Files, or inventively riffing on it?

Monty Hall got it.

Hall, who died today at age 96 according to his agent Mark Measures, was in on the joke. He was you, sitting there at home, clucking your tongue at the lengths to which people would go, the extent to which they would abase themselves, just to get picked to compete on a dumb game show.

Hoo boy.

What is it?

Marvel's Inhumans, premiering tonight at 8 ET on ABC.

What's it about?

... Uh.

Hello? Something wrong?

No. Oh, you mean wrong with this show? Then yes. Hoo boy. Lots of stuff. Yep.

[Sigh.] What. Is It. About?

In Marvel comics, Inhumans are a race of beings distinct from humans because their genetic makeup gives them special mutati-, um. Special abilities. For this reason, they're hated and feared by humanity.

So, mutants, then.

No.

This year, the 40th anniversary of the opening of Studio 54, a onetime Manhattan nightspot where very good-looking people danced to very good music while snorting very good drugs, has seen the publication of two memoirs by past owners.

In 2014, the directing/screenwriting team of Phil Lord and Christopher Miller surprised a cynical, jaded nation that was expecting, from The LEGO Movie, a cynical, jaded toy commercial.

It was that, to be clear. But it was also frenetic, funny, colorful, clever and desperately eager-to-please: a hugely imaginative joyride through a riotous landscape of Warner Bros.-owned intellectual property. Movie as theme park.

Updated 1:25a.m. ET

The 2017 Emmy Awards were broadcast Sunday night on CBS. Below is the list of nominees and winners. (Winners are in bold italics.)

Outstanding comedy series

  • "Atlanta" (FX)
  • "Black-ish" (ABC)
  • "Master of None" (Netflix)
  • "Modern Family" (ABC)
  • "Silicon Valley" (HBO)
  • "Unbreakable Kimmy Schmidt" (Netflix)
  • "Veep" (HBO)

Pop some popcorn, prep the Emmy-themed snacks (For The Crown: Cucumber sandwiches! For The Handmaid's Tale: Gruel! For The Feud: Bette and Joan: Thick slices of ham!

Success is dull; failure is fascinating.

We've recapped Season 7 of HBO's Game of Thrones here on Monkey See. Spoilers abound.

First off: 85 minutes! Long for an episode of Game of Thrones, sure, but put that in perspective: It's roughly equal to the running time of any given movie based on a '90s SNL sketch. So even if you're one of the many who have found this season lacking, consider that "The Dragon and the Wolf" ate up the same amount of your lifespan as A Night at the Roxbury.

We're recapping Season 7 of HBO's Game of Thrones here on Monkey See. We'll try to turn them around overnight, so look for them first thing on Mondays. And of course: Spoilers abound.

A supersized episode this week, 70! Glorious! Minutes! Of walking and bonding and mauling and wight-snatching and deus-ex-machining. It starts with the credits map, on which we once again scooch sideways from Castle Black over to Eastwatch, as so much of this week's action takes place just a hop, skip and a Gendry-jog north of it.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

The thing that makes actor Bruce Campbell a cult favorite has less to do with his output (which includes such cheeseball epics as Bubba Ho-Tep and Man with the Screaming Brain) and more to do with his input – that is, the quality he can be counted upon to bring to even the schlockiest table: It's an artisanal cocktail of Dad-joke corniness, jockish swagger, withering derision and a willingness – nay, a palpable need – to come off looking like a jerk.

The central plot mechanic that'll drive us to the end of this Game of Thrones season finally reveals itself: Jon needs to prove to ally and enemy alike that the White Walkers are both real and spectacular.

A new trailer offers a first taste of the second season of The Crown — coming to Netflix this December. And that taste is ... so veddy, veddy tasteful.

As one might imagine.

The first season was all about Elizabeth's first steps into the role of monarch, as she learned to navigate turbid political waters both public and private.

We're recapping Season 7 of HBO's Game of Thrones here on Monkey See. We'll try to turn them around overnight, so look for them first thing on Mondays. And of course: Spoilers abound.

Linda Holmes is in Los Angeles, NPR's Stephen Thompson and I are in D.C., and we're joined by the fantastic Brittany Luse of the highly recommended The Nod podcast, among a great deal of other things.

HBO's Insecure is one of those shows we were surprised to learn we haven't already devoted a segment to. Several of us gave its first season some shout-outs in our What's-Making-Us-Happy segments last year, but we haven't ever sat down to unpack it as a team. This episode, we correct that.

In April, musician Jonathan Coulton released Solid State, a sci-fi concept album that represented a significant departure — both from Coulton's wry, bright, tuneful back catalog and from any conventional understanding of what a sci-fi concept album sounds like. Gone, for the most part, were the stripped-down but aggressively catchy hooks, and the lyrics riffing on the foibles of digital culture, that Coulton's built a career on.

Linda Holmes hosts from Los Angeles, where she's still attending the Television Critics Association press tour. This week, she's joined by two regular panelists — me and NPR Music's Stephen Thompson — and in our fourth chair, PCHH's resident Poobah of Punching, Chris Klimek.

This episode: We talk Atomic Blonde, the spy thriller dripping with I Love the 80s style elements that's directed with a surprising amount of attention to the logistics of brawling — how it looks, how it feels, and how physically exhausting it is.

We're recapping Season 7 of HBO's Game of Thrones here on Monkey See. We'll try to turn them around overnight, so look for them first thing on Mondays. And of course: Spoilers abound.

Be honest: You were waiting for that two-shot. We all were.

The previews, the promos, they showed you Dany on the Dragonstone throne, they showed you Jon and Davos gazing up at it, and the only way this episode could have spent more time keeping them sep-a-rate-ed was if its director of photography were Dexter Holland.

Linda Holmes hosts from L.A. again, joining regular panelists Stephen Thompson, Glen Weldon and our fourth chair this week, Slate's own Aisha Harris.

The topic: Luc Besson's gleefully schlocky, years-in-the-making science fiction ... epic? ... Valerian and the City of a Thousand Planets.

June Foray is gone, leaving an absence, an ache, a cloud of whirling bobby pins in her wake.

The voice of many beloved animated characters, including the plucky Rocky the Flying Squirrel, the sinister spy Natasha Fatale, the tow-headed moppet Cindy-Lou Who and — most delightfully, to my mind — the girlishly ghoulish Witch Hazel, Foray died Thursday at the age of 99.

This week, our intrepid host Linda Holmes calls in from L.A., where she's attending the Television Critics' Association press tour, to host a discussion of the filthy, freewheeling and very, very funny Girls Trip. She's joined by regular panelist Stephen Thompson, Code Switch's Gene Demby, and special guest Aisha Harris from Slate.

The title of literary historian Bill Goldstein's book refers to a familiar quote from writer Willa Cather. In a 1936 essay, sensing that the literary landscape had shifted under her feet and that her own work was passing out of fashion, she lamented,"The world broke in two in 1922 or thereabouts."

She was referring to the appearance, in that year, of three towering works of modernism: James Joyce's Ulysses, T. S. Eliot's The Waste Land, and the English publication of the first volume of Marcel Proust's In Search of Lost Time.

We're recapping Season 7 of HBO's Game of Thrones here on Monkey See. We'll try to turn them around overnight, so look for them first thing on Mondays. And of course: Spoilers abound.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

There are things I know I should be paying attention to. And then...

(SOUNDBITE OF TV SHOW, "BATTLE OF THE NETWORK STARS")

JOE TESSITORE: As Bronson Pinchot and Nolan Gould will take it home...

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