Ella Taylor

Ella Taylor is a freelance film critic, book reviewer and feature writer living in Los Angeles.

Born in Israel and raised in London, Taylor taught media studies at the University of Washington in Seattle; her book Prime Time Families: Television Culture in Post-War America was published by the University of California Press.

Taylor has written for Village Voice Media, the LA Weekly, The New York Times, Elle magazine and other publications, and was a regular contributor to KPCC-Los Angeles' weekly film-review show FilmWeek.

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Movie Reviews
4:03 pm
Thu December 11, 2014

The 1970s, Ugly And Adrift In 'Inherent Vice'

Joaquin Phoenix stars as Larry "Doc" Sportello รขย€ย” a private investigator with a pot smoking habit รขย€ย” in Inherent Vice, Paul Thomas Anderson's film adaptation of the novel by Thomas Pynchon.
Wilson Webb Warner Brothers Pictures

Paul Thomas Anderson probably wouldn't take kindly to being called a period filmmaker. And it's true that one of our finest pulse-takers of the American predicament is so much more than that. Anderson's movies track warped obsessives who come to define the particular times and places from which they get the tarnished American Dreams they pursue.

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Movie Reviews
4:03 pm
Thu December 4, 2014

A Claustrophobic 'Pioneer' From A Land Suddenly Grown Rich

Aksel Hennie and Wes Bentley star as offshore divers in Pioneer.
Magnolia Pictures

Originally published on Fri December 5, 2014 12:36 pm

Given the times, the Norwegian thriller Pioneer is hardly the first thriller in recent memory to delve into the poisonous fallout from a nation's suddenly acquired wealth. But it may be the first to conduct business from the floor of the noirishly cinematic North Sea, a roiling stretch of gray water where huge supplies of oil and gas were discovered off the coast of Norway in the 1980s. Trust me, this is not Bikini Bottom.

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Movie Reviews
4:03 pm
Thu November 13, 2014

In 'The Homesman,' A Most Unromantic American West

Hilary Swank and Tommy Lee Jones in The Homesman.
Dawn Jones Roadside Attractions

Hilary Swank is a real looker in ways that tend not to get her cast in what the industry is pleased to call "women's pictures." She has seized the day to snag all manner of bracingly offbeat roles, the latest being Mary Bee Cuddy, a bonneted Nebraska frontierswoman in The Homesman who keeps repeating that she's "plain as an old tin pail," a slur thrown her way by a heedless neighbor. No one wants to marry Mary, even though she's smart, resourceful, cultivated and โ€” like many who have suffered hurt early and often โ€” endlessly kind.

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Movie Reviews
1:03 am
Fri October 24, 2014

In 'Force Majeure,' Society Crumbles Under An Avalanche

Force Majeure follows the aftermath of a split-second decision made by a father during an avalanche.
Magnolia Pictures

Off to the side of the wickedly funny Swedish black comedy Force Majeure lurks a minor but significant figure with a sour, slightly saturnine face. The man is a cleaner in a fancy French Alps ski hotel and he hardly says a word. But his wordless hovering inspires dread, nervous laughter or both. Which pretty much sums up Force Majeure's adroit shifts of tone, and quite possibly its director's take on the ways of the hip urban bourgeoisie.

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Movie Reviews
4:03 pm
Thu October 16, 2014

Beauty And Loss In 'The Tale Of Princess Kaguya'

The Tale of Princess Kaguya.
Hatake Jimusho GNDHDDTK/Gkids

Originally published on Fri October 17, 2014 8:48 am

My first encounter with the lovely 10th-century Japanese folktale The Tale of the Bamboo Cutter was in the Sesame Street special Big Bird Goes to Japan. A kind and beautiful young woman named Kaguya-hime appears out of nowhere to take the Yellow One and his canine pal Barkley on a jaunt to Kyoto. They have fun, and then the mysteriously sad woman reveals that she is royalty in civilian dress and must return to her home on the moon. Bird and Barkley were marginally less inconsolable than were my toddler daughter and I.

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Movie Reviews
4:23 pm
Thu October 9, 2014

Bill Murray Doesn't Do Much, But He Does It So Well In 'St. Vincent'

Bill Murray and Jaeden Lieberher in St. Vincent.
Atsushi Nishijima The Weinstein Company

Originally published on Fri October 10, 2014 7:17 am

The grumpy geezer Bill Murray plays in Ted Melfi's gentle comedy St. Vincent is not exactly a stretch. Vincent is a down-on-his-luck gent festering in a falling-down row house on the butt end of Brooklyn. Familiar stuff happens: A little boy named Oliver with bowl-cut hair and a noticeably absent father moves in next door with his mother, Maggie (Melissa McCarthy).

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Movie Reviews
4:03 pm
Thu October 2, 2014

Good-Hearted But Simplistic, 'The Good Lie' Fails To Satisfy

I feel like a churl for voicing qualms about The Good Lie, a big, eager puppy of an issue movie that plants its paws on your chest and licks away at your cheek in eager expectation of praise. The story it tells, about a group of Sudanese refugees who, after a grinding journey to escape endless civil war at home, find refuge in Kansas, can't help but grab our sympathies. But this fact-based movie smothers an epic humanitarian crisis in a gooey parable of American largesse administered by Reese Witherspoon, serious brunette.

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Movie Reviews
7:53 am
Fri September 19, 2014

Crossing The Desert, Making 'Tracks'

Originally published on Fri September 19, 2014 9:07 am

Scenic and a touch bloodless, Tracks is a tastefully off-Hollywood version of the upcoming Wild. Wild is bound to make a lot more noise, and not just because it has Reese Witherspoon in the lead as a grief-stricken Cheryl Strayed hiking the Pacific Crest Trail to get over her beloved mother's death. Tracks is a little too subdued for its own good.

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Movie Reviews
10:03 am
Fri September 12, 2014

Getting Each Other And The Bonds Of 'The Skeleton Twins'

Working back through a raft of bad-seed twins to 1962's Whatever Happened to Baby Jane? the sibling drama has, with few exceptions, been ignored or pathologized to death in movies. I see why: no prospects for sex, unless we're talking incest. Yet that relationship, with all its potent friction of solidarity and competition, comes stuffed with dramatic potential that the fairly new director Craig Johnson means to mine in The Skeleton Twins, an intermittently absorbing dramedy about a brother and sister who have reached adulthood in years, if not in maturity.

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Movie Reviews
8:03 am
Fri September 5, 2014

In 'Rocks In My Pockets,' A Family History Of Depression And Art

In Rocks In My Pockets, a lively animated documentary billed (a touch reductively) as "a funny film about depression," Latvian-American Signe Baumane describes in detail one of her several attempts to commit suicide after she turned 18.

The minutiae of her planning are more graphic than you might care to hear, and the tone, delivered in Baumane's fetchingly accented voiceover, is breezy and droll. "One must be considerate to one's fellow citizens," she says, her voice rising to comic hysteria edged with existential panic.

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