David Edelstein

David Edelstein is a film critic for New York magazine and for NPR's Fresh Air, and an occasional commentator on film for CBS Sunday Morning. He has also written film criticism for the Village Voice, The New York Post, and Rolling Stone, and is a frequent contributor to the New York Times' Arts & Leisure section.

A member of the National Society of Film Critics, he is the author of the play Blaming Mom, and the co-author of Shooting to Kill (with producer Christine Vachon).

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Movie Reviews
1:20 pm
Fri April 18, 2014

Undead Hipsters And An Abstract Alien Star In Two Arty Horror Pics

In Under The Skin, Scarlett Johansson plays an alien who adopts an English accent and cruises Scotland enticing hitchhikers into a darkened building.
Film4

Every so often a high-toned arthouse director dips a toe into the horror genre and the results are uplifting: You realize vampires and space aliens are subjects too rich to be the sole property of schlockmeisters. That's the case with two new arty genre pictures: Jonathan Glazer's Under the Skin and Jim Jarmusch's Only Lovers Left Alive — both slow, expressionist, non-narrative, the kind of films that drive some people crazy with boredom and put others in their thrall.

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Movie Reviews
10:11 am
Fri March 28, 2014

In 'Noah,' Earth And The Bible Get A Computer-Generated Reboot

Originally published on Fri March 28, 2014 1:20 pm

Transcript

(SOUNDBITE OF MUSIC)

DAVID BIANCULLI, HOST:

Darren Aronofsky had a surprise hit in 2010 with "Black Swan," which won an Oscar for its star, Natalie Portman. His latest film, "Noah," is a big budget Bible epic based on the story of Noah's Ark. Russell Crowe plays the title character, and the movie also features Jennifer Connelly and Emma Watson.

Film critic David Edelstein has this review.

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Movie Reviews
8:59 pm
Thu March 20, 2014

'Nymphomaniac': Chasing Sex, But Only On Her Terms

Felicity Gilbert, Shia LaBeouf and Stacy Martin in one of the episodic flashbacks that spin out the story of Nymphomaniac: Volume I.
Christian Geisnaes Magnolia Pictures

Originally published on Fri March 21, 2014 1:09 pm

Lars von Trier's latest provocation is an episodic sexual epic called Nymphomaniac, which comes in two two-hour parts, or "volumes," though it's basically one movie sliced in half. The thinking must have been, "Who wants four hours of hardcore sex and philosophizing?," and if you say, "Me, me!," I suggest seeing both back to back: It's an art-house orgy!

Should you see it at all? I recommend it guardedly. It's dumb, but in a bold, ambitious way movies mostly aren't these days, especially when there's sex in the equation. And it's funny, sometimes intentionally.

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Movie Reviews
3:02 pm
Fri March 7, 2014

'Grand Budapest Hotel': Kitsch, Cameos And A Gloriously Stylized Europe

Ralph Fiennes plays Gustave H., a hotel concierge given to bedding his elderly guests, in Wes Anderson's latest film.
Bob Yeoman Courtesy of Fox Searchlight Pictures

Originally published on Fri March 7, 2014 3:46 pm

Wes Anderson has his share of groupies and his somewhat smaller share of skeptics who find him a tad precious. As someone who leans toward the precious view, but is open to his grace notes, I found The Grand Budapest Hotel mostly delightful.

It's a madcap comedy, but with hints of tragedy lurking outside the usual Anderson dollhouse frames. The central character is Gustave H., played by Ralph Fiennes. He's the concierge of a kitschy, opulent, high-class European hotel between World Wars I and II.

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Movie Reviews
11:09 am
Fri February 28, 2014

Liam Neeson's Action Chops Take Flight In 'Non-Stop'

Originally published on Fri February 28, 2014 12:24 pm

Transcript

DAVE DAVIES, HOST:

This is FRESH AIR. Liam Neeson became a bankable action hero in 2008 with the thriller "Taken." Now almost 62, he's still getting out of tight corners with his fists in the new action thriller "Non-Stop," most of which unfolds on a transatlantic flight from New York to London. The film also stars Julianne Moore and Michelle Dockery. Film critic David Edelstein has this review.

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