Alan Cheuse

Alan Cheuse has been reviewing books on All Things Considered since the 1980s. His challenge is to make each two-minute review as fresh and interesting as possible while focusing on the essence of the book itself.

Formally trained as a literary scholar, Cheuse writes fiction and novels and publishes short stories. He is the author of five novels, five collections of short stories and novellas, and the memoir Fall Out of Heaven. His prize-winning novel To Catch the Lightning is an exploration of the intertwined plights of real-life frontier photographer Edward Curtis and the American Indian. His latest work of book-length fiction is the novel Song of Slaves in the Desert, which tells the story of a Jewish rice plantation-owning family in South Carolina and the Africans they enslave. His latest collection of short fiction is An Authentic Captain Marvel Ring and Other Stories. With Caroline Marshall, he has edited two volumes of short stories. A new version of his 1986 novel The Grandmothers' Club will appear in March, 2015 as Prayers for the Living.

With novelist Nicholas Delbanco, Cheuse wrote Literature: Craft & Voice, a major new introduction to literary study. Cheuse's short fiction has appeared in publications such as The New Yorker, The Antioch Review, Ploughshares, and The Southern Review. His essay collection, Listening to the Page, appeared in 2001.

Cheuse teaches writing at George Mason University, spends his summers in Santa Cruz, California, and leads fiction workshops at the Squaw Valley Community of Writers. He earned his Ph.D. in comparative literature with a focus on Latin American literature from Rutgers University.

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Book Reviews
6:03 am
Tue March 25, 2014

A Lyrical Meditation On Grief In 'Falling Out Of Time'

Originally published on Tue March 25, 2014 9:44 am

I am a mortal reader; I have my flaws. I don't usually enjoy prose poems or novels written in lines of poetry, and when I see character types with names in capital letters like the ones that appear in Israeli writer David Grossman's new Falling Out of Time — The Walking Man, the Net Mender, the Midwife, the Town Chronicler — I tend to prepare to pack up, close the book, and turn to something less allegorical.

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Book Reviews
6:54 pm
Thu March 20, 2014

Book Review: 'The Divorce Papers'

Originally published on Fri March 21, 2014 11:56 am

Transcript

AUDIE CORNISH, HOST:

The woe that is marriage, the subject of the Wife of Bath's prologue in Chaucer's "Canterbury Tales" has long been a rich subject for stories. Susan Rieger has just published a novel on the matter called "The Divorce Papers."

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Book Reviews
3:03 pm
Tue March 18, 2014

Book Review: 'Falling Out Of Time'

Originally published on Wed March 19, 2014 3:50 pm

Transcript

AUDIE CORNISH, HOST:

"Falling Out of Time" is the name of a new novel by Israeli writer David Grossman. Our reviewer Alan Cheuse calls it a dramatic meditation on grief, reminiscent of Thornton Wilder's "Our Town." [POST-BROADCAST CLARIFICATION: The book was translated from the Hebrew by Jessica Cohen.]

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Book Reviews
6:03 am
Tue March 18, 2014

All Sides Of A Divorce, Told In Fresh, Lively 'Papers'

Originally published on Fri March 21, 2014 5:20 pm

The "woe that is in marriage," the subject of the Wife of Bath's Prologue in Chaucer's Canterbury Tales, is a great old subject. Susan Rieger's smart and wonderfully entertaining domestic comedy, with all its shifts of tone from the personal to the legal and a lot in between, takes up this old problem and makes it fresh and lively — and in some places so painful, because it has to do with a child torn between two parents, you don't want to go on. But you do. The power and canniness of this bittersweet work of epistolary fiction pulls you along.

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Book Reviews
6:03 am
Thu March 13, 2014

American Jazzmen Swing Overseas In 'Shanghai'

Courtesy of Houghton Mifflin Harcourt

The thing about historical novels is that above all else, they must stand as good fiction. If not, the reader's supposed trip back into the past isn't worth the time or the token. The writer must give the feel and flow of the time in question in a manner that seems natural; characters on a street corner shouldn't remark to themselves about all of these 1922 motor cars rolling past, nor Roman legionaries point out that an axe is bronze when it should be steel.

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