Alan Cheuse

Alan Cheuse has been reviewing books on All Things Considered since the 1980s. His challenge is to make each two-minute review as fresh and interesting as possible while focusing on the essence of the book itself.

Formally trained as a literary scholar, Cheuse writes fiction and novels and publishes short stories. He is the author of five novels, five collections of short stories and novellas, and the memoir Fall Out of Heaven. His prize-winning novel To Catch the Lightning is an exploration of the intertwined plights of real-life frontier photographer Edward Curtis and the American Indian. His latest work of book-length fiction is the novel Song of Slaves in the Desert, which tells the story of a Jewish rice plantation-owning family in South Carolina and the Africans they enslave. His latest collection of short fiction is An Authentic Captain Marvel Ring and Other Stories. With Caroline Marshall, he has edited two volumes of short stories. A new version of his 1986 novel The Grandmothers' Club will appear in March, 2015 as Prayers for the Living.

With novelist Nicholas Delbanco, Cheuse wrote Literature: Craft & Voice, a major new introduction to literary study. Cheuse's short fiction has appeared in publications such as The New Yorker, The Antioch Review, Ploughshares, and The Southern Review. His essay collection, Listening to the Page, appeared in 2001.

Cheuse teaches writing at George Mason University, spends his summers in Santa Cruz, California, and leads fiction workshops at the Squaw Valley Community of Writers. He earned his Ph.D. in comparative literature with a focus on Latin American literature from Rutgers University.

James Carroll, who served as a Catholic priest before his literary ambitions led him to go secular, has gathered together his knowledge of church history and his mature powers as a novelist to create Warburg in Rome, his most splendid work of fiction to date.

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From NPR News this is ALL THINGS CONSIDERED. I'm Audie Cornish. Kalyan Ray has been busy. The Bangladesh-born writer is also a translator and actor. That may be why 10 years have passed since his first novel was released. And reviewer Alan Cheuse is happy his second is now out.

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This is ALL THINGS CONSIDERED from NPR News. I'm Melissa Block.

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And I'm Audie Cornish. You don't need a ticket to travel this summer. Our reviewer, Alan Cheuse, has packed a small bag of books that he says will send you to Alaska, Siberia and Tasmania. Here's Alan on three debut works.

I suppose it's preaching to the converted to announce that David Ignatius has done it again. But here he is, having written yet another deeply engaging spy thriller, rooted at that point where the intricacies of the intelligence community and the everyday world of civilians converge. However, it's a reviewer's duty to point out some fascinating new turns in the man's work — in particular, the highlighting of Internet communications as a source of secret information over the conventional collection of data in the field, and the actual manipulation of events by means of writing code.

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From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.

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And I'm Robert Siegel. Now, two new spy novels, both written by journalists - one by an old hand of the genre, Washington Post columnist David Ignatius - the other by a first-time novelist, Adam Brookes at the BBC. Alan Cheuse has our reviews.

In a prefatory note to The Last Kind Words Saloon, his first novel in five years, Western writer supreme Larry McMurtry states that he wants to create a "ballad in prose." And he borrows a line from great moviemaker John Ford: "When legend becomes fact, print the legend."

Richard Ford talks about understanding voice in fiction as "the music of the story's intelligence." It's been a long while since I've read short fiction by a new writer who makes that idea seem so definitive. But here is American Innovations, the first collection by Rivka Galchen. She lives in New York City, attended medical school, writes for the New Yorker, and has already published one novel. And now, she's brought out these stories that seem like the smartest around.

No book I've read all year underscores the distinctions between the long form and the short story more than the award-winning story writer Anthony Doerr's new novel All the Light We Cannot See.

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In Syria, the 1980s were marked by a bloody civil war between the Sunni majority and the minority Alawite Muslim government. That's now the setting for a novel titled "In Praise of Hatred." It's by Syrian writer Khaled Khalifa. It's now available in the United States and a translation by Larry Price. And Alan Cheuse has our review.

Over the course of his long and distinguished writing career, Peter Matthiessen — who died this past weekend at the age of 86 — chased numerous demons, from Florida outlaws to missionaries and mercenaries in South America. In his latest novel, which the ailing writer suggested would be his last, takes us back to a week-long conference held at Auschwitz in 1996. Here, as autumn shifts toward winter, Jews and Germans, Poles and Americans, rabbis, Buddhists, European nuns and slightly crazed survivors of Nazi genocide stand witness to the atrocities of some of the greatest demons of history.

San Francisco in the summer of the 1876, between the Gold Rush and the smallpox epidemic, is the setting for Emma Donoghue's boisterous new novel, Frog Music.

There's real frog music in these pages, the riveting cries of the creatures hunted by Jenny Bonnet, one of the two main characters. She's a pistol-packing, pants-wearing gal in a town where pants on women are one of the few cardinal sins, and she scratches out a living catching frogs and selling them to local restaurants.

I am a mortal reader; I have my flaws. I don't usually enjoy prose poems or novels written in lines of poetry, and when I see character types with names in capital letters like the ones that appear in Israeli writer David Grossman's new Falling Out of Time — The Walking Man, the Net Mender, the Midwife, the Town Chronicler — I tend to prepare to pack up, close the book, and turn to something less allegorical.

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The woe that is marriage, the subject of the Wife of Bath's prologue in Chaucer's "Canterbury Tales" has long been a rich subject for stories. Susan Rieger has just published a novel on the matter called "The Divorce Papers."

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"Falling Out of Time" is the name of a new novel by Israeli writer David Grossman. Our reviewer Alan Cheuse calls it a dramatic meditation on grief, reminiscent of Thornton Wilder's "Our Town." [POST-BROADCAST CLARIFICATION: The book was translated from the Hebrew by Jessica Cohen.]

The "woe that is in marriage," the subject of the Wife of Bath's Prologue in Chaucer's Canterbury Tales, is a great old subject. Susan Rieger's smart and wonderfully entertaining domestic comedy, with all its shifts of tone from the personal to the legal and a lot in between, takes up this old problem and makes it fresh and lively — and in some places so painful, because it has to do with a child torn between two parents, you don't want to go on. But you do. The power and canniness of this bittersweet work of epistolary fiction pulls you along.

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